MARCHEN Designer Women's Spring / Summer 2020 Collection

The MARCHEN2020 spring and summer series is inspired by the Renaissance aesthetic. The brand throws a question "How to embrace the beauty of transsexuality with a more pure humanistic perspective?" In an attempt to complete the diversity of genders in the current popular context of gender mobility The romantic interpretation of this, the more dynamic and beautiful silhouette introduced this season, also provides a charming depth of perspective for the brand's fascinating light "girly style".

The focus of this series is on capturing the sense of power and conflict in Renaissance art: the mythical characters in Sandro Botticelli's work are frozen in a state of "weightlessness" that is always damaged, but their posture appears Extraordinary freedom; Venus goddess Lang Mingchao has a mortal emotional expression; while the warrior role of Giorgio to Vasari fully displays the beauty of power, but contrasts sharply with the light clothing she exposes. . The Marchen2020 spring and summer series is to break the stereotype of gender dichotomy. The opposition of masculinity and gentleness was subtly divided, reorganized, and reborn.

This season's silhouette is as agile and soft as a soft sculpture, with a sense of space. The designer tried to create a “moving” beauty that “stuck” the air between the fabrics, and the soft armor-style accessories wrapped in On top of the air-filled transparent items, the aim is to emphasize the layered sense of the shape, but also the light and thick, freedom and restraint, the contrast between the male and the female.

Under the romantic interpretation of the feminine perspective, the margins of the deep-seated gender dichotomy have also become blurred. 崦 痢 R 酝 酝?鸶 ゼ 嵫 槎 槎 槎 槎 槎 虮 虮 涑 涑 涑 涑? 干 干 干 淼 陌 陌 吕 吕 嗾 干 涑 淼 淼 淼 涑 涑 涑 涑 涑 涑 涑 涑 涑 涑 涑 涑 涑 陌 陌 陌 陌 陌 陌 陌 啻 ┥ 啻 ┥ 啻 ┥ 啻 ┥ 蚩 蚩 蚩 蚩 蚩 矗鹂 鹂 洌 洌 洌 矸 萑???? 灰 灰 灰 ǚ⑸ ǚ⑸ 灰 灰 浠 吕 吕 Lu 嗖 嗖 嗖 嗖 嗖 粲 谌 粲 谌 粲 谌 粲 谌 男 凰 凰 凰 凰 凰 凰 凰 ┚ ┚ ┳ ┳ ┳ ┳ ┳ 骸

The layered fabric structure also played new "flowers and patterns" this season. The delicate and trembling Asakusa green stamens on the shirt just caught the mysterious beauty of a flash. The designer's iconic pleating technique, in this book Season has evolved into a more conflicting large area fold. The irregular discounting technique is an impromptu performance performed with skirts, full of toughness and emotional explosiveness. Designers emphasize the fabric to bring wearers and viewers Interesting and diverse attributes, the elastic gauze line is arranged on a square silk gauze with a light grass green gauze. Between the ghosts, the light skirt design shows more tension, giving the classic beauty a silhouette. Sense of space.

Throughout the series, Asakusa Green, Rattan Purple, Chitan Red, and the brand's signature maize muscle color, have laid a mysterious, lively, and elusive, season-old 400-year history. "Orlando-style" refined beauty.

In essence, in the process of exploring the unity of contradictions, MÄRCHEN hopes to trace back to the source, start from the Renaissance, and regain the essence of humanism. The designer seems to be "creating the old", but in fact, it is returning to a creative heart that pursues truth , Complete the meticulous thinking of the digital age, which is obscured by the Internet and has a broad gender definition.

"Artists in the Renaissance era bravely embraced beauty more than they did. They also blended the beauty of male power with the gentle beauty of women. I want to use fabric to restore the true natural touch. To some extent, I also hope to be able to Reviving the open attitude of dress in that era, I also think that ruffles and fluffy tulle can be enjoyed by men and women together, said designer Margaren Chen Cihang.